Dir: Claudio Fagrasso.
Cast: Jeff Stryker, Candice Daly, Don Wilson, Massimo Vanni, Nick Nicholson, Adrienne Joseph, Jim Gaines and some tramps.
Somewhere on a remote South Pacific island (or more likely in the kiddies play park behind the directors house), a scientific research team have been working on a cellular regenerative thingy in the hope of finding a cure for ingrowing toenails and bad breath.
In an attempt to get the local (glam rock frocked) natives onside, Dr. Godfrey Soontodie has offered to use this frankly bollocks scientific discovery to help cure the voodoo witch doctor's daughter of her terrifying bunions.
As is always the case in these situations the wee girl unfortunately dies.
It's off screen tho' so it's not that upsetting.
Surprisingly the local witch doctor takes offence to this news and decides to put the curse of the dead on the island, its visitors and inhabitants.
Which is understandable if not a wee bit annoying for the rest of the tribe.
With a wave of his mighty (and very beefy) arms and a flash of homemade fireworks (but not alas a flash of old man thigh) literally all hell breaks loose.
Well it would if hell consists of an old lady in an ill fitting Halloween mask and a pair of Austin Powers teeth seemingly faking an orgasm whilst dancing like Ian Curtis (post suicide) on crack.
It's not giving too much away to say that the dead rise and kill everyone.
Everyone that is except the lead scientists blonde moppet daughter, Jenny who survives the carnage thanks to a magic amulet given to her by her mother.
Well it's either actually magic or so cheap and nasty as to repel any self respecting zombie that sees it.
You can decide.
Flash forward 15 years later and a rescue team, led by the hunky Chuck (porn idol Jeff Stryker in a rare 'straight' role) is finally dispatched to discover why no-one has been returning their calls.
Well they took their time didn't they?
Also on the island (by some strange quirk of fate) is a by now all grown up Jenny (the late, great Daly from The Young and the Restless) accompanied by the slightly less attractive Louise (Joseph from Birds of a Feather), rentalunk Rod (Nicholson) and a couple of dirty mouthed gypsies.
Sod all this character stuff tho' we want to know what Team Chuck is up to.
Well, whilst wandering around in a cardboard cave left over from Michele Soavi's 'The Sect' our hero comes across the mysterious Book of the Dead.
Which is a change from my boyhood years watching him coming across a variety of buff arses.
How do they know it's the real book I hear you ask and not a pesky pretend one?
Well it does have the words BOOK OF THE DEAD printed on the cover in big bold letters, unlike those oh so obviously fake ones in stuff like The Evil Dead so I guess that clinches it.
Chuck, in a vain attempt to prove he can read unaided - but also proving that he's never seen a horror movie - begins to shout random passages from the book (intercut with him shouting "Yeah baby! You're so fuckin' tight!" and pulling his cum face) not realising that the words, when read aloud are capable of bringing the dead back to life.
This'll be the same living dead that have actually been wandering around aimlessly for the past decade and a half from when that witch doctor read the same book, remember?
The writer obviously doesn't.
Well, whilst wandering around in a cardboard cave left over from Michele Soavi's 'The Sect' our hero comes across the mysterious Book of the Dead.
Which is a change from my boyhood years watching him coming across a variety of buff arses.
How do they know it's the real book I hear you ask and not a pesky pretend one?
Well it does have the words BOOK OF THE DEAD printed on the cover in big bold letters, unlike those oh so obviously fake ones in stuff like The Evil Dead so I guess that clinches it.
"Shite in mah tramp bearded mooth!" |
Chuck, in a vain attempt to prove he can read unaided - but also proving that he's never seen a horror movie - begins to shout random passages from the book (intercut with him shouting "Yeah baby! You're so fuckin' tight!" and pulling his cum face) not realising that the words, when read aloud are capable of bringing the dead back to life.
This'll be the same living dead that have actually been wandering around aimlessly for the past decade and a half from when that witch doctor read the same book, remember?
The writer obviously doesn't.
Within minutes our heroes (well the folk on screen) are running for their very lives as hordes (I say hordes but I mean dozens) of foul smelling pikeys and illegal Eastern European immigrants (possibly) begin to rise slowly from their shallow graves intent on tasting the legendary Jeff Stryker's ample meat.
Or something.
Meanwhile jumpy Jenny and co. have problems of their own (obviously we're discounting the obvious ones like lack of acting ability and bad breath) caused by a lone maggot covered tramp falling on them from behind a tree and covering one of them in sick.
Or something.
Meanwhile jumpy Jenny and co. have problems of their own (obviously we're discounting the obvious ones like lack of acting ability and bad breath) caused by a lone maggot covered tramp falling on them from behind a tree and covering one of them in sick.
Running away screaming they soon stumble across the deserted medical research facility (in reality the directors local scout hut) once run by Jenny's folks where they're soon joined (c'mon, the running times not that long) by Chuck who has managed to escape the scary flesh eaters by leaving his team to die whilst he sneaked away sobbing like a baby.
What a guy.
Luckily for the survivors this peaceful medical centre is chock full of weapons giving the male cast members ample opportunity to pose in a topless sweaty manner whilst firing a variety of semi-automatic weaponry indiscriminately at various unpaid extras who are then expected to fall of roofs and be set on fire in the vain hope of securing a work permit or at least a new pair of shoes for their kids.
Ain't capitalism grand?
But the humans are fighting a losing battle as one by one they are overcome by the advancing dead.
Deciding the blow up the centre in an attempt to convince the zombies it's Bonfire night and thus giving them a chance to escape (plus they reckon it might add a wee bit of much needed excitement to the movie), sole survivors Jenny and Chuck make a break for the woods only to find themselves back in the very cave where the spooky witch doctor started the undead plague to begin with.
With the zombie army closing in and Chuck down to firing blanks, Jenny clutches the magic amulet, praying for a miracle.
Well it's either that or she's cursing her agent.
Will our toothsome twosome escape?
Will the zombie hordes attack Jenny and eat her whole?
Or will they spit that bit out?
Or will Chuck die whilst something slight and fairly incomprehensible happens to Jenny?
Best known for it's frightening amount of alternate titles (After Death being the most common and Zombi 4 being the easiest to spell) as well as being shot on sets constructed for Michael Soavi's 'The Sect' and filmed entirely using camera's and equipment borrowed from the set of Bruno Mattei's 'Strike Commando 2' (which was filming nearby), Claudio Fagrasso's -AKA Clyde Anderson- Zombie Flesh-Eaters 3 is the near pinnacle of bad movie making made flesh, a cinematic black hole so dire that not even light can escape from it's spiny celluloid fingers.
Imagine the worst unsafe sex ever with the most foul, STD ridden, crab panted whore imaginable, then imagine that as you're about to cum (against your better judgement) you look down and realise that this pock marked, toothless crone you've payed £5 to probably catch AIDS from is, in fact, your Gran.
You know...the dead one.
This is the effect After Death can have on a normal cinema goer.
But saying that, imagine how amusing it would be if you saw this happen to a friend.
So I guess you pays your money you takes your chance.
Just like Hepatitis C or the feeling of shame you get after watching your parents home made porn and realising your in it, drugged up to the eyeballs and wearing a dress.
But if, like me tho' and you're one of the lucky few that enjoys Claudio Fragrasso's work, especially his top notch collaborations with Bruno Mattei ('Zombie Creeping Flesh' and 'Rats : Night of Terror') then jump in and enjoy.
But to be honest I really think that you should get out more.
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